Making Public

Making Public https://valiz-makingpublic.net Making Public Thu, 21 Apr 2022 14:15:42 +0000 https://valiz-makingpublic.net en Intro https://valiz-makingpublic.net/Intro Tue, 06 Jul 2021 14:20:11 +0000 Making Public https://valiz-makingpublic.net/Intro <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/28d17ce6b27e1bfec04fc0ffed3f1a6d1613410c37bdf050235085872341c596/VAL_MP_web_text.png" data-mid="113167652" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/28d17ce6b27e1bfec04fc0ffed3f1a6d1613410c37bdf050235085872341c596/VAL_MP_web_text.png" /> New Titles https://valiz-makingpublic.net/New-Titles Thu, 21 Apr 2022 14:15:42 +0000 Making Public https://valiz-makingpublic.net/New-Titles New Titles Stuck on the Platform https://valiz-makingpublic.net/Stuck-on-the-Platform Thu, 21 Apr 2022 12:24:23 +0000 Making Public https://valiz-makingpublic.net/Stuck-on-the-Platform Stuck on the Platform: Reclaiming the Internet Geert Lovink  2022, Valiz 240 pp. | 24 x 14.8 cm (h x w) | English ISBN 978-94-93246-08-9 | € 25,00 We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump. Design: Irene StracuzziSupported by: Amsterdam University of Applied Sciences → ORDER NOW                                                                   <img width="100" height="100" width_o="100" height_o="100" data-src="https://freight.cargo.site/t/original/i/aa4e9ff462f793a2a19f359351ac6a4098c5baa07a0f942335a78a487f2f177d/VALIZ.png" data-mid="140269486" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/100/i/aa4e9ff462f793a2a19f359351ac6a4098c5baa07a0f942335a78a487f2f177d/VALIZ.png" /> <img width="1015" height="1361" width_o="1015" height_o="1361" data-src="https://freight.cargo.site/t/original/i/422ab9d7efcf0fa6909990593dae8cce25634371703bd123f764c6d79a2876e1/Artboard-2.png" data-mid="140269795" border="0" data-scale="75" data-no-zoom src="https://freight.cargo.site/w/1000/i/422ab9d7efcf0fa6909990593dae8cce25634371703bd123f764c6d79a2876e1/Artboard-2.png" /> Digital Sources https://valiz-makingpublic.net/Digital-Sources Thu, 21 Apr 2022 12:33:29 +0000 Making Public https://valiz-makingpublic.net/Digital-Sources Explore digital content Digital Sources Curating Digital Art https://valiz-makingpublic.net/Curating-Digital-Art Tue, 06 Jul 2021 14:20:13 +0000 Making Public https://valiz-makingpublic.net/Curating-Digital-Art Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation Annet Dekker (ed.)  2021, Valiz 352 pp. | 24 x 14.8 cm (h x w) | English ISBN 978-94-93246-01-0 | € 26,50 What is the role of the curator when organizing digital art exhibitions in offline and online spaces? This book focuses on how the experiments of curators, artists and designers have opened the possibility to reconfigure traditional models and methods of presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today. Design: Irene StracuzziSupported by: Creative Industries Fund NL, Prins Bernhard Cultuurfonds NL → ORDER NOW                                                                   <img width="100" height="100" width_o="100" height_o="100" data-src="https://freight.cargo.site/t/original/i/aa4e9ff462f793a2a19f359351ac6a4098c5baa07a0f942335a78a487f2f177d/VALIZ.png" data-mid="127999130" border="0" data-scale="2" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/100/i/aa4e9ff462f793a2a19f359351ac6a4098c5baa07a0f942335a78a487f2f177d/VALIZ.png" /> <img width="1069" height="1361" width_o="1069" height_o="1361" data-src="https://freight.cargo.site/t/original/i/51208710bc57e0985d0d3e44456927ddf2298713256a69a0dc016aa5da8463bb/Artboard-1.png" data-mid="113186228" border="0" data-scale="75" data-no-zoom src="https://freight.cargo.site/w/1000/i/51208710bc57e0985d0d3e44456927ddf2298713256a69a0dc016aa5da8463bb/Artboard-1.png" /> The Broken Timeline https://valiz-makingpublic.net/The-Broken-Timeline Wed, 21 Jul 2021 15:02:41 +0000 Making Public https://valiz-makingpublic.net/The-Broken-Timeline Explore digital content The Broken Timeline In the series https://valiz-makingpublic.net/In-the-series Wed, 22 Dec 2021 12:42:06 +0000 Making Public https://valiz-makingpublic.net/In-the-series In the series Making Public Titles https://valiz-makingpublic.net/Making-Public-Titles Wed, 22 Dec 2021 12:25:09 +0000 Making Public https://valiz-makingpublic.net/Making-Public-Titles <img width="2008" height="2599" width_o="2008" height_o="2599" data-src="https://freight.cargo.site/t/original/i/ee5531b94f4b10ff524fc6cd366226dd7e4edefe7515c3079c9bc22e85ff719c/9789492095299_Compassion_frontcover_300dpi.jpg" data-mid="128006958" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ee5531b94f4b10ff524fc6cd366226dd7e4edefe7515c3079c9bc22e85ff719c/9789492095299_Compassion_frontcover_300dpi.jpg" />Compassion. A Paradox in Art and Society Jeroen Boomgaard, Rini Hurkmans & Judith Westerveld (eds.)2017 <img width="2008" height="2559" width_o="2008" height_o="2559" data-src="https://freight.cargo.site/t/original/i/6506281cd9537f6f87505ede610848ceafe792888a8324121fddf605918001d5/B_BeingPublic_cover_300dpi.jpg" data-mid="128007295" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/6506281cd9537f6f87505ede610848ceafe792888a8324121fddf605918001d5/B_BeingPublic_cover_300dpi.jpg" />Being Public. How Art Creates the Public Jeroen Boomgaard & Rogier Brom (eds.)2017 <img width="2008" height="2599" width_o="2008" height_o="2599" data-src="https://freight.cargo.site/t/original/i/fb3217b188a6f1b76a75f8d4fd1aa10dded5a012016604b0fb6a84fd13ed9019/9789492095237_Authenticity_300dpi.jpg" data-mid="128006794" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/fb3217b188a6f1b76a75f8d4fd1aa10dded5a012016604b0fb6a84fd13ed9019/9789492095237_Authenticity_300dpi.jpg" />Authenticity? Observations and Artistic Strategies in the Post-Digital Age Barbara Cueto & Bas Hendrikx (eds.) 2017 <img width="2008" height="2559" width_o="2008" height_o="2559" data-src="https://freight.cargo.site/t/original/i/7468c5fd76b1a4ddad2ca6a53bcca5f76b50ec017c0cf4aeac8eb4b71f066a93/_LostandLiving_Cover_full_300dpi.jpg" data-mid="128007314" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/7468c5fd76b1a4ddad2ca6a53bcca5f76b50ec017c0cf4aeac8eb4b71f066a93/_LostandLiving_Cover_full_300dpi.jpg" /> Lost and Living (in) Archives. Collectively Shaping New Memories Annet Dekker (ed.)2017 About https://valiz-makingpublic.net/About Tue, 06 Jul 2021 14:20:19 +0000 Making Public https://valiz-makingpublic.net/About Valiz Gebouw Het Sieraad Studio K34-K36Postjesweg 11057 DT Amsterdam +31 20 676 41 44 Making Public The series Making Public investigates ‘the public’, the civil domain where space, knowledge, values and commodities are shared. What does this notion of ‘public’ mean? How does this domain change under the influence of social, political and technological tendencies? Where are the boundaries of ‘the public’ and how are they determined? What forms of responsibility and solidarity does ‘the public’ invoke? And how do artists and culture critics shape the debate on these issues?